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Peter GabrielAs the leader of in the early '70s, helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods.

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With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established as a critically acclaimed cult artist, and with 1982's, he began to move into the mainstream; 'Shock the Monkey' became his first Top 40 hit, paving the way for his multi-platinum breakthrough in 1986.

Accompanied by a series of groundbreaking videos and the number one single 'Sledgehammer,' became a multi-platinum hit, and became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992's, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World. Following his departure from in 1976, began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine.

In 1977, his first solo album appeared and became a moderate success due to the single 'Solsbury Hill.' Another self-titled record followed in 1978, yet received comparatively weaker reviews.

's third eponymous album proved to be his artistic breakthrough, however. Produced by and released in 1980, the album established as one of rock's most ambitious, innovative musicians, as well as one of its most political — 'Biko,' a song about a murdered anti-apartheid activist, became one of the biggest protest anthems of the '80s.

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'Games Without Frontiers,' with its eerie chorus, nearly reached the Top 40. In 1982, released, which was an even bigger success, earning positive reviews and going gold on the strength of the startling video for 'Shock the Monkey.'

Just as his solo career was taking off, participated in a one-shot reunion in order to finance his WOMAD — World of Music, Arts and Dance — Festival. WOMAD was designed to bring various world musics and customs to a Western audience, and it soon turned into an annual event, and a live double album was released that year to commemorate the event.

As worked on his fifth album, he contributed the soundtrack to Alan Parker's 1984 film. His score was highly praised and it won the Grand Jury Prize at Cannes that year. After founding Real World, Inc. — a corporation devoted to developing bridges between technology and multi-ethnic arts — in 1985, he completed his fifth album,.

Released in 1986, became 's commercial breakthrough, largely because his Stax homage 'Sledgehammer' was blessed with an innovative video that combined stop-action animation with live action. Climbed to number two as 'Sledgehammer' hit number one, with 'Big Time' — featuring a video very similar to 'Sledgehammer' — reaching the Top Ten and 'In Your Eyes' hitting the Top 30. As was riding high on the American and British charts, co-headlined the first benefit tour for Amnesty International in 1986 with.

Another Amnesty International Tour followed in 1988, and the following year, released, a collection of instrumentals used in 's film. Was the furthest delved into worldbeat, and the album was widely acclaimed, winning the Grammy Award in 1989 for Best New Age Performance. In 1990, he released the hits compilation. Labored long on the pop music follow-up to, finally releasing in the spring of 1992. During the recording of, went through a number of personal upheavals, including a painful divorce, and those tensions manifested themselves on, a much darker record than.

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For various reasons, not the least of which was the fact that it was released six years after its predecessor, wasn't as commercially successful as, despite positive reviews. Only one single, the 'Sledgehammer' knockoff 'Steam,' reached the Top 40, and the album stalled at platinum sales. In 1993, embarked on the most ambitious WOMAD tour to date, touring the United States with a roster including, and, with whom he had an on-off romantic relationship. The following year, he released the double-disc, which went gold. Later in 1994, he released the CD-ROM Xplora, one of many projects he developed with Real World. For the rest of the decade, concentrated on developing more multimedia projects for the company and working on a new studio album. Was released in 2002, a full decade after 's last studio effort.

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Dense, cerebral, and often difficult, the record peaked at number nine but failed to sell well in America. It fared slightly better in Canada, where it went gold. He then turned his attention to a host of different projects, although the release of — a compilation of collaborative performances recorded at Real World Studios during the '90s — helped placate fans while focused his energies elsewhere. He eventually returned to the studio for another album, 2010's, which featured orchestral covers of songs originally performed by, and others. Uncharacteristically delivered the sequel to quickly, releasing — a collection of orchestral reinterpretations of his own songs — in the fall of 2011. The following year, held a lavish celebration of the 25th anniversary of, releasing several deluxe editions of the record — the largest being a four-CD, two-DVD, two-vinyl box — and launching the Back to Front tour, where he played in its entirety. In 2014, was inducted into the Rock & Roll Hall of Fame as a solo act, joining, which had been inducted four years earlier.

Stephen Thomas Erlewine.